Remarques
Diaporama
Plan
1
 
2
 
3
 
4
"Liberal arts undergraduate college"
  • Liberal arts undergraduate college
  • Humanities, social and natural sciences, languages, music, art, theatre and dance


  • Linked liberal arts
  • Explores the contrasts, similarities and complementarities of the methods and styles of seemingly disparate disciplines: e.g. art history and painting
  • Explicitly includes the learner as an object of study


  • First Bridge programme
  • Courses designed to encourage students to build models of ideas and interactions.


  • Visual Thinking links computational environments with introductory drawing


5
 
6
 
7
 
8
Tile Exercise
  • Specificity
  • Begin by looking carefully at a specific tile design.
  • Deconstruction
  • Sketch this design by noting its most basic component elements and the shape of the replication of those basic elements in tile space. Talk about it.


  • Reconstruction
  • Reconstruct our view of the original tile design and compare the two.
  • Generalization
  • Generalize our models to draw and place the components in order to generate a suite of images that explore and extend the themes we see in the original tile pattern.
  • Emergence
  • Introduce features in to the design elements to encourage the emergence secondary patterns in the final composite design. Add weirdness.
  • Language
  • Talk tile (Lévi-Strauss sense)  .


9
Specificity
10
Deconstruction - seed
11
Deconstruction - placement
12
Reconstruction
13
Generalization 1
14
Generalization 2
15
Generalization 3
16
Triple emergence
17
Tile language
18
Speaking Tile
19
Speaking Tile
20
Speaking “Tile emergence”
21
Tile Exercise
  • Specificity
  • Begin by looking carefully at a specific tile design.
  • Deconstruction
  • Sketch this design by noting its most basic component elements and the shape of the replication of those basic elements in tile space. Take about it.


  • Reconstruction
  • Reconstruct our view of the original tile design and compare the two.
  • Generalization
  • Generalize our models to draw and place the components in order to generate a suite of images that explore and extend the themes we see in the original tile pattern.
  • Emergence
  • Introduce features in to the design elements to encourage the emergence secondary patterns in the final composite design. Add weirdness.
  • Language
  • Speak tile.


22
Another example
23
 
24
 
25
 
26
 
27
 
28
 
29
 
30
 
31
 
32
 
33
Painting Exercise
  • Specificity
  • Begin by looking carefully at a specific painting.
  • Deconstruction
  • Sketch this design by noting its most basic component elements and the shape of the replication of those basic elements in tile space. Take about it.


  • Reconstruction
  • Reconstruct your view of the original tile design and compare the two.
  • Generalization
  • Generalize our models to draw and place the components in order to generate a suite of images that explore and extend the themes you see in the original painting.
  • “Emergence”
  • Introduce features in to the design elements to encourage the emergence of secondary patterns in the final composite design. Add weirdness.
  • Language
  • Speak your painting.


34
 The sense of curve - inspired by Brice Marden
35
Tang Dancer, 1995-96, oil on linen and 72 by 33 inches
36
 
37
 
38
 
39
 
40
 
41
 
42
 
43
 
44
 
45
 
46
 
47
Machine Exercise
  • Specificity
  • Begin by looking (could be using your mind’s eye) carefully at a specific “machine”.
  • Deconstruction
  • Sketch this design by noting its most basic component elements and the shape of the replication of those basic elements in tile space.


  • Reconstruction
  • Reconstruct your view of the original machine.
  • Generalization
  • Generalize your models to draw and place the components in order to generate a suite of images that explore and extend the ideas you see in the original machine.
  • “Emergence”
  • Introduce features in to the design elements to encourage the emergence of secondary patterns in the final composite design. Add weirdness.
  • Language
  • Speak machine.


48
 
49
 
50
 
51
 
52
 
53
Conclusion …